The audio then flows on to the main mix outputs, which are controlled via a master‑section Mix Level knob. A switchable (more on this later), balanced insert point comes next, before the channel's cut, fader, and pan controls. At the top of the strip, you can select that channel's input source, trim it by ☒0dB, and invert the signal polarity. The X‑Desk's eight channel strips each have access to two line inputs, Line and Alt, the former typically receiving the output from a mic or instrument preamp, and the latter taking a return signal from your recording system. So is this latest addition to the X‑Logic range actually worth making a fuss about? Let's poke around it in more detail and find out. Get the actual hardware in front of you, though, and it's not the super‑charged desktop mixer you might initially expect: there appear to be only eight channels, there are no preamps, no EQs, and all but a handful of the audio connections are on 25‑pin D‑Sub connectors. So it's inevitable that the recent launch of the company's new small‑format X‑Desk mixer has sent a ripple of excitement through the project studio community, if only because its comparative affordability dangles ever closer the tantalising prospect of referring to 'my studio' and 'SSL console' in the same breath. However, for recording musicians who don't routinely fly business class, this aspirational mental image is probably as likely to be drawn from deeply buried memories of Battlestar Galactica as it is from actual hands‑on experience of SSL's flagship consoles. ![]() Until now.Ī mere whisper of Solid State Logic's initials is enough to conjure to the minds of a lot of SOS readers a fish‑eye‑lens vision of an enormous studio control room. Technology from SSL's high‑end mixing consoles has been filtering down to the project studio for some time, in the form of the X‑Logic and X‑Rack products, but the desks themselves have remained the preserve of commercial studios.
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